The Importance of Sleep on Health

Sleep. We all do it. We all need it. However, in this fast-paced, competitive and often cut-throat world, requiring sleep is often seen as a flaw with phrases like ‘work hard, play hard’ and ‘you can sleep when you’re dead’ tossed around the workplace with pride. We often see powerful men and women in the media quoting that they survive on 4 hours sleep a night. Not needing much sleep is almost a status - proving endurance, their worth and lack of weakness. However, over time, are they doing a disservice to their health, longevity, productivity and creativity, as well as increasing their risk of chronic disease?

Power to the Podcast

Everyone’s making a podcast these days. I, unlike many cynics, see that as a good thing. Fran, the founder of Cinegirl, and I have recently started co-hosting the Cinegirl Podcast, where we talk about film and TV and the way it reflects different topics. So far, we’ve discussed Mental Health with April Kelley (actress and ambassador for Bipolar UK), Pride on Screen with Lady Aria Grey (drag queen and award-winning writer), and chatted with Dale Elena McCready (DoP with an impressive portfolio of work). Recording the Cinegirl Podcast is undoubtedly the highlight of this horrible year we’ve been having, and I could talk about it all day.

In Conversation with Cinematographer, Annemarie Lean-Vercoe

F: What is your background? When did you realise you wanted to become a Cinematographer?

A: I grew up in Devon, and with my dad being a yachting photographer, as a teenager I found my own interest in photography. I did a foundation art course at Central Saint Martins, where I realised I wanted to do a degree in film, because I enjoyed the collaborative nature of filmmaking and the variety of departments to explore. Then I went to London College of Printing (now London College of Communications) and did a BA in Film & Video, and by the end of the course, I knew I wanted to pursue Cinematography

Catching up with Clapper Loader, Mahalia John

F: What is your background?

M: I was more intrigued watching the “behind the scenes” on the DVD Extras than the actual film itself, so I soon realised that I wanted to be part of that world. So, when I was sixteen I heard about the BFI Film Academy and I joined a short programme. Initially I started as a director, but then switched into cinematography and that is what set me on my path. I started working on my friends’ projects and eventually on NFTS short films as camera assistant. Through those experiences I met other camera assistants and started building up my network and CV.

Léa's Diary

Prep days are extremely important, and will most likely determine how smoothly the shoot will go. If you have a good prep day, it is more likely that the shoot will go well ; If you don’t, the first couple days will be slower and harder to quickly adapt to situations. Let’s try and give you an idea of what you can expect to do.

Diversity Solutions Article

Over the last few years, we’ve heard sobering statistics on diversity and how the film and TV industry is slowly improving issues around inclusion. This seems like a good time to talk and reflect over the last 18 months of running RA Agency (an agency exclusively representing women, several of whom are black) who hold key crew positions in sound and camera whether it be in Drama or Features.

Meet Production Designer: Carly Reddin

You also worked on the award winning commercial with John Malkovich for Squarespace. Talk to us about that.

This was one of those jobs when you get the job confirmation late one evening and show up at the office the very next morning. In this case, I was on the early Eurostar to Paris.

The film explores the challenges John Malkovich faces, as he is establishing his reputation as a serious fashion designer in Paris. It was an intense couple of weeks of scouting, dressing and filming. All sets were real locations that we modified and dressed, creating two fashion studios, a fashion show, a period film set, a photography studio, and a hotel room.

Allison Chhorn’s 'THE PLASTIC HOUSE' blurs the line between Documentary and Fiction

‘I was specialising in painting, but I was also interested in photography, sculpture and installation. I guess I naturally came to film and realised that it combines all those things. It’s photography, sound design and acting. It combines all these artforms and it was this perfect medium to tell a story through time. Working as an artist or, say, a painter or a sculpture, you predominantly work by yourself and produce everything yourself. The greenhouse was so private. It never occurred to me to invite other people in that space.’

Make your work loud: A call to action

As a woman born and raised in Romania, being subject to casual gender discrimination was second nature to me. In fact, it was so normalised that I never knew the gravity of it until I moved to the UK to pursue a career in film music. As I’m navigating the safer waters of Western inclusivity, I’m still coming to terms with the dated views that, not too long ago, I had to accommodate by making myself small and quiet both as a woman and as a composer.

In Conversation with Hanna Torrefranca

Hanna Acanfora Torrefranca developed her passion for filmmaking during high-school in Tel Aviv. She then pursued a BA in Cinema Studies and Documentary filmmaking at NYU, where she developed a strong interest in communicating stories through documentaries. Since then, she worked on several projects at PBS (the Public Broadcasting Station in the US) including 'The Central Park Five', the documentary that inspired Ava DuVernay's Netflix series 'When They See Us'. Hanna then worked at Vice, while starting to create her own documentaries during her free time, growing her desire and love of working in a team of talented and creative minds. Hanna is currently pursuing an MA in International Affairs and Human Rights with a focus of media at the New School of New York.

So… what happens after the film is completed? The distribution journey

Simple, it gets to the cinema or a streaming platform, so it is available for viewing, right? Well, it is actually a bit more complicated than that.

First of all, the process of getting a film to a screen is not a straight line. There are plenty people involved, working collaboratively and simultaneously. Let me walk you through it. Let’s say you've made a film, great job! It’s Oscar-worthy! But you need to get it distributed in different countries, not only to get those coveted nominations, but most importantly, to recoup the money.

Q&A: Nimarta Narang

Meet Nimarta Narang - a freelance writer and journalist, script analyst and master’s student. When I first met Nimarta almost four years ago at The Oxford Union, I found myself immediately taken by her creative spirit. Her passion for writing coupled with a formidable work ethic was profoundly inspiring to both myself and our mutual friends. It is, therefore, no surprise that she has since forged an impressive, promising career in the film and writing industries.

Filmtopia: Creative Industries Of The Future - v3

Equality is a hot topic at the moment, with every intersection of race, gender, age and ability needing their time in the spotlight. There have been a lot of conversations across Film, TV and Advertising about how the UK industry can better reflect the UK population; especially when it makes money from selling stories about the very people it systematically shuts out.

F: What are the Intimacy On Set Guidelines and what are their purpose?

I: The ​Intimacy On Set Guidelines​ offer best practice when working with intimacy, simluted sex scenes, and nudity for theatre, TV or film productions. They help to ensure the director’s vision is served, and puts in place a professional structure allowing for agreement and consent of touch, simulated sexual content and of nudity, and clear choreography providing a physical structure for the intimate content so that actor can bring all their skill of acting to the intimate content.

Primetime Graduation Showcase

There are no surprises that Primetime, once again, superbly celebrates and empowers women, of all ages, across all departments within the Film and TV industry. During such new exciting times, with so many positive changes and improvements to be looking forward to, Primetime applauds and showcases women graduates to give them greater visibility and connect them with established members in our community.

Eat Rainbow and Sparkle Wellness

The word ‘diet' is described in the dictionary as: “the kinds of food that a person, community or animal habitually eat and/or a special course of food to which a person restricts themselves, either to lose weight or for medical reasons”. However, that infamous word ‘diet’ for many, conjures up the thoughts of restricted food intake, counting calories, low fat, abstinence from pleasure, being hungry, and tasteless food.

Opening Pandora’s Box: Meet The Women Behind the First Feature-Length Menstruation Documentary

We are, finally, living in a cultural moment where women’s rights are being championed in louder voices than ever before. The integral part menstrual equity has to play in achieving gender equality is slowly but surely being recognised. Enter​ ​PANDORA’S BOX: LIFTING THE LID ON MENSTRUATION,​ a timely film exploring the ongoing battle for menstrual equity in all its forms.

An evening with Primetime Members and Alliance for Women Film Composers

An evening with Primetime Members and Alliance for Women Film Composers. Did you know that last year, 94% of Box Office films were scored by men? As one of the most underpresented departments within the Entertainment Industry we would like to do something proactive about that.

Following the successful of Primetime Pledges event for the Camera Departement, back in February 2020, Primetime took this opportunity to connect Directors & Composers so that as the Industry gets back up on its feet, more female and underrepresented composers will be in the mix for work.